Cadence studies color, texture, and composition to sequence your photographs the way a curator would — finding rhythm where there was only a folder.
Four signals, weighed against one another. The result is not sorted — it is composed.
Dominant palette, hue progression, saturation arc across the set.
Pattern density, surface quality, and grain character.
Edges, weight, and the implied geometry of each frame.
Brightness distribution, contrast range, and overall tonal key.
Arrangement is the difference between a pile of photographs and a sequence — between noise and narrative.
Most image tools organize — sort by date, detect duplicates, build folders. Cadence does something different: it reads the image itself, then arranges the set by visual feel. A few of the ways people use it.
A full-day shoot leaves you with hundreds of edits and a tired eye. Drop them in and Cadence returns a sequence - the reception images naturally grouped, the golden-hour portraits clustered, the quiet moments falling together. Pull the cohesive groups straight into the album.
Your phone has 400 photos from Japan. You want to post nine that feel like one trip, not a random dump. Cadence finds the tonal throughline: the neon nights, the morning temples, the quiet train windows. Pick the nine that belong.
Feeds that work have rhythm, a deliberate progression of color, tone, subject. Plan thirty posts in advance by sequencing a backlog of images into a flow. Each new post lands in harmony with the last, without you running the math.
You have fifty pieces, but which twelve form a portfolio? Which belong on the same gallery wall? Cadence surfaces groupings you hadn't noticed — works that share a texture, a palette, a mood and lets you pull coherent selections in seconds.
Three distinct groupings, produced from one unsorted folder of 200 images.